Born
Tamara Karla Surendorf, San Francisco, California. October 5, 1942,
at St Mary’s Hospital at 9:30 am.
Father was Charles Surendorf, “Who’s Who in American Art.”
Graduate of the Chicago Art Institute, oil paint, watercolors, member
of the Society of American Etchers, served on the first Art Commission,
San Francisco, era of the WPA. Surendorf gave up teaching art in the
bay area and moved to the ghost town of Columbia in California’s
Mother Lode. There he set up studio and gallery, painted, and stayed
quaintly loaded, to the delight of the ghosts, and the chagrin of
the State Park Service which took over the town with its concession
attractions.
Natalia Neil, Karla’s mother, was a professional psychiatric
social worker and lived in the Mission District of San Francisco.
She was a descendent of the Winslow family who came over on the Mayflower,
the first Quakers of Maine, and two ancestors whom signed the Declaration
of Independence. Natalia later married a railroad man, and the two
of them became colorful and beloved characters in the town of San
Luis Obispo, California.
Karla had one other family. Auntie Mary Cox, of the Miwok Tribe in
Tuollomne, California, adopted her as a daughter and took her in when
Karla was carrying her son, Charlie Small Bear Free, (Brule, Sioux,)
who is now happily working in many capacities of the film industry.
Karla is an individualistic personality with an intriquing world view
and unique communication skills. Her life has been a well meaning
effort against all the odds.
She resides outside of Santa Fe, New Mexico, in a sculptured adobe
home which she built herself over eight years, for eight thousand
dollars, with help from friends, and with special help from Cat Tsosie
of Picuris Pueblo. She built this home while on a Disability Grant,
overcoming an autoimmune disease of the thyroid, and while raising
her son alone. Naturally, the house will always be an ongoing project,
and a wonderful studio has just been finished, thanks to the genius
of Santa Fe landscaper Ben Herrera, allowing Karla to start painting
again.
As an artist’s daughter Karla’s first art sales came at
six years old, drawing and selling postcards outside her father’s
gallery in Columbia, California. This studio gallery happened to be
a deserted bar from the 1889 gold rush, complete with the long oak
bar, gold dust under the floor boards, (which no one could ever find,)
and a huge wall safe where Surendorf kept his can of beans.
To
Be Continued…
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